[PDF.02pn] White Face, Black Mask: Africaneity and the Early Social History of Popular Music in Brazil (Black American and Diasporic Studies)

White Face, Black Mask: Africaneity and the Early Social History of Popular Music in Brazil (Black American and Diasporic Studies)

[PDF.nc74] White Face, Black Mask: Africaneity and the Early Social History of Popular Music in Brazil (Black American and Diasporic Studies)

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 | #3832059 in Books |  Michigan State University Press |  2009-03-11 | Original language:English | PDF # 1 |  9.00 x.80 x6.00l,1.00 | File type: PDF | 265 pages

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||2 of 2 people found the following review helpful.| development of Brazilian music in the 20th century|By Henry Berry|Author of a previous book on African influences in Brazilian culture, Middlebury College professor of history Davis elaborates how today's Brazilian popular music came to "demonstrate the difficulty of determining where blackness ends and whiteness begins" from its origins in the early part of the 20th century wh| |A thoughtful and lucid book, original and unique. Davis underscores the celebration of Afro-Brazilian music by whites and the complex and asymmetric interactions in musical production between blacks and whites in Brazil. -- Jonas Zoninsein|
You can specify the type of files you want, for your device.White Face, Black Mask: Africaneity and the Early Social History of Popular Music in Brazil (Black American and Diasporic Studies)   |  Darien J. Davis. I really enjoyed this book and have already told so many people about it!

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